Sometimes, people have a hard time understanding how to leave you the Christ alone when you’re in a crappy mood. But since technology is constantly striving to be better than people, a new pair of earbuds can not only detect your bleak mood, but lift you out of the mean reds through the power of pop ballads. Read More
Please divert your musical attention span from Miley Cyrus’s tongue to the latest clip from would-be reggaeton superstar Julian Assange.
In it, he makes a cameo appearance on Australia’s pretty-embarrassing “Rap News.” Decked out in a mullet wig, coolin in the Ecuadorian embassy, he lip-syncs about freedom of information and whatnot. Read More
Today, Spotify made a big announcement: The company is expanding its local presence, with plans to hire an additional 130 engineers by the end of 2014. That’ll make New York home to the company’s largest office outside of Stockholm, with the bulk of the employees being engineers.
Rather than simply sending a press release or flying in Frank Ocean, the company had Mayor Bloomberg deliver the news at their current home in the Google building.
“The right engineering talent is here in New York. More and more that’s going to be true,” the mayor whistled his familiar refrain. He also announced that his office now has its own Spotify profile, which he personally approved. (Enjoy the mental image of Bloomberg bopping along to B.I.G.’s “Juicy.”) Read More
Earlier today, the Verge reported that Spotify, the music player that ratted you out to Facebook that one time you listened to Kenny G holiday hits, is rolling out a beta version of a browser-based web app. The feature was in high demand and should give the company a boost against competitors like Rdio.
At least one artist, however, has a few questions about how this whole streaming music business is supposed to work in the long run. Read More
Does it ever seem like Pandora’s sourcing is a little… off? You’ll hear a golden oldie, only to look and see it’s been pulled from some random soundtrack to a forgotten, shitty movie. “That’s weird,” you’ll think, before diving back into your workday.
Betabeat arrived at Google’s Big Tent event at the Skylight West building just in time for the Trends and Transformations in Music panel. Moderated by Billboard editorial director Bill Werde, the topic du jour was how the Internet and social media have ushered in a new era of music production.
In attendance were Live Nation CEO Michael Rapino and none other than Scooter Braun, Justin Bieber’s talent manager and the man credited with discovering America’s favorite heartthrob. (Sadly, there appeared to be zero Beliebers in the audience, as no piercing screams rang out during the program.) Read More
The problem, as one philosophically-minded audience member pointed out, is that there are too many problems in the music industry. It certainly felt that way Tuesday afternoon at the New Music Seminar Tech Summit, “Nothing Ventured, Nothing Gained – A Look at the Digital Music Vertical.”
The discussion at the AMC Loews Theatre focused on the difficulty of acquiring investment as a music industry startup, the issues with music copyright laws, the free-downloading plague and innumerable other chinks in the business.
To bring an investors viewpoint into the mix, Chris Fralic, a partner at First Round Capital, explained why many financers are hesitant to back music-technology startups. Read More
“Got paid £8 for 90,000 plays. Fuck spotify,” tweeted the London-based producer Jon Hopkins last week, comparing it to radio which pays “about £50 for each play.” His sentiments were echoed by U.K. producer Four Tet, who added “Spotify owned by majors who make money from shares and don’t care about paying artists.”
The tweet, coupled with news that another label, coupled with news that more than 200 labels were leaving Spotify with the distributor STHoldings, touched off a rehashed debate about online music distribution. Read More