So: a music artist–say, the most famous half-Jewish, half-black, all-Canadian former DeGrassi star (who also happens to be really, really good friends with Lil’ Wayne) in the universe—spends all kinds of time working on the follow-up to his major label debut, which was widely perceived to be an ambitious-yet-rushed effort to capitalize on his quickly rising fame. Fans eagerly await the new album as singles trickle out and release dates get pushed back. Finally, after months of hot-and-heavy press anticipation, the album is unleashed onto the public…via a leaked copy on the internet, over a week ahead of time.
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The folks at Dubset.com, one of the original General Assembly companies, have released a fun little explainer video on the MixSCAN technology they are developing in partnership with Sony Gracenote. The idea is that DJs can upload their mixes and create a virtual watermark. That way any system running MixSCAN can identify when a Read More
The Music Genome Project conceived by Pandora is the foundation for one of the most successful streaming radio apps of all time. But any serious audiophile who spends more than few days on the service quickly begins to notice the same tracks and artists repeating.
Part of the reason the catalog feels shallow is because its expensive to license new tracks. But another reason is that the Music Genome relies on human experts to evaluate each track, an extremely time consuming process. It’s why Pandora has less than 1,000,000 songs while competitors like Rhapsody have ten times that.
The team behind Clio, a new service for analyzing music, is taking the exact opposite approach.
Sometimes there is an advantage in being the little guy. Google and Apple have been unable to come to terms with the major labels in their efforts to build a digital “locker” that streams music from the cloud, in large part because the labels are wary of these tech giants leverage as Read More