In honor of Back to the Future‘s 30th anniversary (yeah, you’re old, sorry), a staged musical version of the cult classic will hit London’s West End next year, the AP reports.
Robert Zemeckis, who directed the original film, will direct the stage adaptation with the help of British theater director Jamie Lloyd. Mr. Read More
As if you needed another reason not to wear your dumb Google Glass in public—or ever, actually—an Ohio man claims he was yanked out of a movie theater and interrogated by federal agents, who believed he was illegally filming the movie with his face computer.
The man’s full account is posted on The Gadgeteer, but we’ll summarize it here so you can get the gist of it before you’re engulfed forever in this ghastly winter storm.
David vs. Googliath
The rights to dozens of films and TV series are about to expire on Netflix next week as if you needed another excuse for not putting on real clothes. On Reddit, a user collected nearly 90 titles that will soon disappear from the streaming site–and there arfe some decent movies on the list.
Apple in Your Eye
Google can now predict a movie’s box office success a month before its release with 94-percent accuracy – although 48 percent of moviegoers don’t decide what they’ll be watching until the day they make the trip to the cinema.
Google analyzes search patterns to forecast opening weekend box office revenue, according to a blog post by Andrea Chen, Principal Industry Analyst for Google. Subsequent weekend performance can be predicted with 90 percent accuracy. So if a movie’s not garnering much web buzz, it just might bomb like Battleship.
Just this weekend we were sitting around wondering when exactly someone would create another Steve Jobs biopic. We already have the indie one starring Ashton Kutcher and the fast-talking, sure-to-be-sexist incarnation dreamt up by Aaron Sorkin. What we really need is a third one that can make fun of the other two.
Luckily Funny or Die has come to our rescue, announcing that they’ll be putting a full-length comedic biopic about Mr. Jobs online on April 15th.
Look out, Hollywood screenwriters: the robots are coming for your jobs, too.
Cleverbot is an artificial intelligence robot that Internet users can converse with and, more frequently, troll until it says funny stuff. But one filmmaker, Chris Wilson, saw the creative potential in Cleverbot and decided to co-write a short film with it. It might just be the first movie written by a machine.
Not only is Starbucks accepting payments via Square, the coffee conglomerate is now also selling the Square credit card reader for $10 at its retail locations. [New York Times]
Spotify has suspended its music download service in the U.K. Users can still stream music, but are sent to an unhelpful FAQ page when they attempt to purchase it. [Pocket-Lint]
Kim Dotcom says the U.S. “planted” evidence, encouraging him to keep copyrighted files on the Megaupload servers but then punishing him when he did so. [Ars Technica]
That indie Steve Jobs film, that will star Ashton Kutcher and be an inevitable flop that we will still watch anyway, is slated for release in April. Who wants to go with us? [Wall Street Journal]
The New York state comptroller is suing microchip company Qualcomm for data about its political expenditures with the hopes it can bring more transparency to corporate political spending. [New York Times]
When not blogging from a prison cell, antivirus software creator John McAfee is reportedly busy planning the next iteration of his media blitz: The Hollywood Reporter writes that Mr. McAfee has successfully sold his life rights to a TV production company called Impact Future Media.
Mr. McAfee has skillfully played the media these past few months, getting a Wired reporter to speak on his behalf and telling his story to Gizmodo before inviting Vice to join him in his escape from Belize. That decision ended with his capture when a Vice employee published an iPhone photo still containing the metadata that revealed his location. Mr. McAfee still managed to temporarily convince Vice‘s photographer to lie for him.
Twitter is blocking its first account: Tweets from the neo-Nazi group Besseres Hannover are no longer viewable in German. [Quartz]
For a company that hasn’t done a damn thing, Color Labs inspires a lot of rumor-mongering. Yesterday the talk was all about whether the startup was winding down. Today, the scuttlebutt suggests Apple might buy the ill-fated photo-sharing startup. [The Next Web]
Pour one out for the concept of “going online,” which is increasingly archaic and soon to be utterly foreign to the youngs, like cassettes and modesty. [AllThingsD]
Please share Betabeat’s delight in this collection of “wonderfully ridiculous” movie computers. Obviously, the supposedly state-of-the-art hunk of junk from the 1974 classic The Towering Inferno takes the cake. [Wired]
Silicon Valley has its very own cover band, composed of VCs and entrepreneurs. But what did you expect? We live in a world where Dennis Hopper once did an Ameriprise commercial. [Wall Street Journal]
Michael Gallagher just wanted to tap into the zeitgeist.
The 23-year-old filmmaker–known for his popular YouTube series, Totally Sketch–is about to release his first full-length feature film, a low budge horror flick called Smiley. But what should amount to buzzy excitement leading up to the film’s launch has been eclipsed by personal attacks on Mr. Gallagher made by notorious message board 4chan and hacktivist collective Anonymous.
The reason? Mr. Gallagher painted both 4chan and Anonymous as the villains of Smiley. Obviously, this didn’t sit well with either group.