The Tao of Steve

‘Steve Jobs Sold Out,’ Says Performer Behind Powerful Drama of Apple’s History

Mr. Daisey.

Betabeat made the mistake of stopping by the Apple Store before work last week, forgetting it was the day the new iPhone 4S went on sale. The line stretched down 14th Street. A stream of glowing customers were exiting the store, new phones clutched in their hands. A photographer got down on one knee to shoot a happy British couple. A man in a tweed jacket agreed to speak with a television news crew about his purchase. Our plan to pick up a power cord didn’t seem likely to pan out.

As we walked back to the subway, we passed an Apple employee standing by a far door no had yet noticed. “You need a phone,” the guy whispered. “Full price, but you can cut the line.”

No one knows the lure of Apple products better than Mike Daisey. He is, in geek parlance, an Apple fanboy. “I belong to the Cult of Mac. I have been to the House of Jobs. I have felt the Tao of Steve.”

Mr. Daisey looks the part. He is fat, Chris Farley fat, with a face that emerges and recedes into his neck like an animal into its burrow. He tosses off casual references to long dead coding languages and various races from Lord of the Rings. Sometimes to relax, he claims, he goes home and field strips his Macbook Pro, cleans all 47 individual parts, and puts it back together.

But over the past 14 months, as he has traveled the country performing his one man show, The Agony and the Ecstasy of Steve Jobs, Mr. Daisey has become a pointed critic of Apple and its charismatic founder. Betabeat caught a sold out performance of his work at the Public Theater the evening after our trip to the Apple store. Read More